Posts Tagged ‘ art ’

CONVERSATION WITH A DEAD MAN

IN THE MIDST OF SHOOTING STARS

A semi-autobiographical memoir

by

Boots LeBaron

                  CHAPTER ONE                  

     It was close to noon on a Monday in late August. Miserably hot. After a half hour of climbing around Enduring Faith searching in vain for my father’s grave, toting a paper sack containing a fifth of Wild Turkey, my shirt was soaked with sweat and clung to my back like a blanket of leeches.

A groundskeeper named Joe told me that I was on the wrong mountain and steered me to Sheltering Hills, another grass-covered mound a couple of hundred yards down Memorial Drive. He said I’d find my dad right behind the statue of the Virgin Mary.

Joe was right. There he was. Plot number 640. A bronze plaque covered with pine needles and weeds inscribed: Bert LeBaron, 1900 – 1956.

Even in the sweltering noonday heat, Forest Lawn – Hollywood Hills was a serene setting dotted with 30-foot pine trees and lots of monuments guarded by cherubs and winged angels with their tiny hands and pudgy fingers. Behind us were power lines which nullified some of the pious landscape, hinting that not all things, even in the midst of death, are sacred.

After setting the bag of Kentucky’s finest straight bourbon on the grass, I pulled out an H. Upmann, bit off an end and puffed it into life. I hate cigars. But this was a special occasion.

I needed to talk to my father. One on one. I sought forgiveness. I wanted to unload a heavy bag of anguish I had been lugging around ever since he committed suicide. Since H. Upmann was his favorite cigar, I thought, why not pamper the old fart?

I took a seat on the grass beside the plaque, popped open the bottle of 101-proof rotgut he could guzzle like Dr. Pepper and took a swig. Cascading down my gullet, it burnt and made me quiver.

Since his suicide on March 3, 1956, I had talked to him on many occasions. It had always been a one-way conversation. Almost like praying or searching my own conscience for an answer. This was the first time I had visited his grave since the funeral.

I had an eerie feeling that, after all these years, this might be the time he’d break the silence and talk to me rather than just listen.

After taking another pull on the H. Upmann, I blew a thick ring of smoke into the still air. It hovered for several seconds before disintegrating. Rather than take another puff, I began the conversation with the man who gave me life.

You’ve got a pretty good view of the Virgin Mary’s ass, dad. I guess you still appreciate a cute buttock staring you in the face, huh?   With the rolling hills, shady trees and clear blue skies brushed with those long, narrow clouds, Forest Lawn isn’t a bad place to be dead and buried.”

I stuffed the H. Upmann in my mouth, pulled a handkerchief from a pocket, and brushed the dirt off the plaque.

“Judging from the way they maintained this marker, Forest Lawn and its perpetual care program sucks. Once they plant you, they forget you. I guess that shouldn’t surprise anyone. Especially you! This is Hollywood, right?.

“You used to say, ‘When I die, just cremate me, then flush me down the toilet.’ We should have done that. Instead, mom and I scraped together twelve-hundred and fifty dollars for this plot and your casket.

“The funeral director at Callanan Mortuary talked us into spending an additional forty-seven bucks on a pin-striped suit. It was like buying a wedding dress. The bride wears it once, puts it in a box and forgets about it.

“Why we had you on display, I’ll never know. Lying in state in that dark, musty Callanan waiting room off Western Avenue was a hell of a way for a guy like you to shuffle off to the brimstone pit.

“Other than that ancient Bulova with the scratched crystal on your wrist, the only other item that belonged to you was the St. Christopher medal you always wore on a gold chain around your neck. Your surrogate father, Jake (the Snake) Morelli, gave that to you when you turned sixteen. I knew you were buried with it because I felt around under your shirt while you were in the casket.

“When I kissed your forehead, it felt like cold clay to my lips. Your body smelled like damp cardboard. To dispel the scent of death, the mortician should have doused you with cologne, or used some familiar odors like garlic, vinegar or even tobacco.

“Those once-powerful hands that rested across your chest were nothing but gray hunks of flesh with thick naked fingers sprouting from them.

“Only once can I recall seeing those fists in action. We were on Pico Boulevard driving home from the beach when this guy in a Pontiac runs a red light at Robertson and slams into your blue Hudson coupe.

“Spitting mad, he storms out of his car, surveys the damage to his front left fender, then marches over to your window and yells, ‘Hey, stupid! You just fucked up my brand new car!’

“You come charging out of the Hudson like a stung Ferdinand the bull. Do you remember this, dad? He grabs you. You punch him. The two of you start wrestling on the asphalt. It’s broad daylight. Traffic’s backing up on Pico. Not a cop in sight. And here I am, a kid with a ringside seat, scared to death that this big old bruiser was going to punch your lights out.

“You take his head and repeatedly bang his face against the hood of the Pontiac. There’s blood everywhere. His blood. Finally, after the guy’s half bled to death, you drag him over to the car and twist his jaw so he’s looking directly at me.

“‘See that boy?'” you say. “‘He’s my son. Nobody swears in front of my son. Now, cocksucker, apologize!'”

Cocksucker? Chalk up a new word in my growing vocabulary.   “The guy blubbered some kind of an apology and you let him go. He stumbled back to his Pontiac and sped away.

“Except for his blood on your shirt and hands, you didn’t have a scratch or bruise. And there was just a tiny ding on your right-front bumper. Both you and that old Hudson were built like General Sherman tanks.”

Before time and the fast lane made a mess of him, my father was a muscular six-foot mass of flesh and bone with wavy black hair and a matching well-groomed mustache. His sleek athletic frame and chiseled features were covered with a taut layer of olive-complected skin which he pampered year-around with oils mixed with small portions of vinegar cider and drops of iodine.

He wasn’t movie-star handsome. But he had this aura about him. When he walked into a restaurant or any room filled with strangers, people took notice.

Who is this man? Is he an athlete? Is he some actor? Is he a hood? Is he a rooster looking for a hen house? Is he a somebody? Is he a nobody? He was all of those. And certainly, he was a nobody.

After observing him spout dialogue in movies like “Battle Cry,” “Westward the Women,” “Abbott and Costello Meet Dr. Jekyll and Mr. Hyde” or even in “The Mysterious Dr. Satan,” a weekly kid’s serial where he’s done in by a death-dealing robot, there’s no doubt that if the Academy handed out statuettes for playing B-movie-type thugs, he would be a nominee. Yet he was a Hall of Fame stuntman with tremendous athletic skills and an impressive list of screen credits that date back to the days of Francis X. Bushman, Douglas Fairbanks Sr. and Laurence Olivier.

I took another swallow. This time the Wild Turkey didn’t scorch my larynx as it headed south. I leaned close to the plaque and stared into the face of the man who collected so many ex-wives, fiancees and girlfriends their names were lost in the mist of his mind.

It was as if Cupid had stuck him in the butt with a mystical arrow that caused him to fall passionately in love with every woman he ever conned or seduced.

That included my mother Thelma Anna Gangloff-LeBaron who had married and divorced him twice.

I remember her teary eyed, hiking up my short pants and straightening my Peter Pan collar, preparing me for a day at the Crenshaw Nursery School in Los Angeles, describing my father as “that sonuvabitch of a godamned bastard!” Since she never swore, that outburst we confidentially used, quite often with humor, throughout her life when describing my father.

Although my mother’s description of my dad pretty much nailed it, I loved him dearly.   And I think she did too!

Gallivanting around, chasing other women, disappearing for days, pawning her jewelry, coming home with lipstick marks tattooed across his drunken face, he had broken her heart a million times.      Speaking German so I couldn’t understand, my wisp of a grandmother (all five feet of her) Anna Roeder-Gangloff captured the essence of the man. “Waere er in einem Bordell gestorben, haette de Leichenbeschauver es einen natuerlichen Tot genawnnt.”

Translated: “Had he died in a whorehouse, the coroner would have called it a natural death.” No matter how hard Grannie tried, like most women whose lives he touched, she couldn’t hate him.

My mother was an attractive woman. Long-legged and shapely with an angelic face framed in brown hair.

She spoke intelligently with a sweet tongue that not always communicated her deepest feelings. But heartbreak, love, compassion and even rage poured silently from a pair of powder-blue eyes which could conceal nothing.

A graduate of Dilworth Hall, an exclusive preparatory school for women in Pittsburgh, Pennsylvania, Thelma grew up as the socialite daughter of Dr. Charles L. Gangloff, who never charged the poor and boasted the largest practice in Western Pennsylvania.    Behind the doors of their elegant 14-room home at 161 Virginia Avenue on Mt. Washington, a suburb overlooking the City of Pittsburgh, the beloved Doc Charlie, hid his chauvinistic attitude.   My mother grew up during a period in America when women were obligated to kowtow to anything that sported a mustache, smoked a cigar and came with a penis. Considered the weaker sex, women were put on earth to breed, raise children, darn socks, mend crotches — things like that. They were not meant to vote or hold down a man’s job.

Soft spoken yet fiercely independent, Thelma grew up in the lap of luxury. She felt no need to march with the Suffragettes pounding a drum, rattling a tambourine, decrying equal rights for women under the Constitution. .

So homemaking was never on her agenda. But she was adventurous and even rebellious. At the age of 15 she was the first female in her neighborhood to learn to drive an automobile. At 16, she was playing golf, doing cartwheels exposing her bare ankles and calves, and standing on her hands in the surf along the Atlantic City boardwalk. Unladylike things.

At 17, with other girls from Dilworth Hall, she was participating in which she described as midnight makeouts with suitors in the cemetery. Less than two decades after Orville and Wilbur Wright made their maiden voyage at Kitty Hawk, Thelma, decked out in goggles, a leather aviator’s hat and flowing scarf, sat in the open cockpit aboard a Curtiss Aeroplane as it performed loop-the-loops a thousand feet above The City of Pittsburgh.

My father’s life was not so rosy. At the age of 13, he ran away from poverty, hopped a freight in Madison, Wisconsin, and wound up in Philadelphia. That’s when he literally bumped into the man I would call Uncle Jake. He was a frail-looking wiseguy with a sinister reputation. Bert was being chased along the sidewalk by an A&P grocery-store clerk after stealing cans of food when Jake collared him. A few months earlier, the mobster had lost his pregnant wife in a freak trolley car accident.

Jake paid for the stolen merchandise, brought my dad home and cared for him like he was his own son. Despite a close relationship with Johnny Torrio, a Chicago mobster, Uncle Jake was a devout Catholic.

When my father left the mob back in the mid-twenties, he came to Hollywood determined to become a picture star. He figured, if George Raft, a hood from Hell’s Kitchen, could make the big time, why couldn’t Bert LeBaron, a thug from Philadelphia?

In Hollywood, his new found friends — all struggling actors — believed that his wealthy parents went down with the Titanic in 1912, leaving him on Easy Street with a sizable inheritance.

Of course, that was a lie. Truth is, he was living on dirty money furnished by the mob. Bert LeBaron — if that was his real name — was to bullshit what Picasso was to cubism.

I was only a few years old when my father began telling me that my fraternal grandfather, Jean-Henri-Clement LeBaron, was a half-ass French poet who was shot to death trying to rob a bank in Marseille.

My paternal grandmother Sophia Maria Raphael came from Montorio, a tiny Italian village in northern Italy. She gave birth to my father out of wedlock in Catania, a coastal town in Sicily. After bringing him to America when he was an infant, she died of consumption.

He’d tell those stories over and over again. He’d tell them using Italian and French dialects. He’d make funny faces and gesture wildly. Pretending to be his father robbing a bank, he’d turn his hand into a gun and fire it at himself.

Bam! He’d clutch his chest and melodramatically slump over Hollywood-dead with his eyes wide open. There were a million reasons why we shouldn’t have believed him. But we did.

Whenever he’d fire that gun, it’d startle me and make me laugh. Sometimes, just to piss off my mother, he’d tumble onto the carpet with a thud that would rattle the knickknacks in the tiny one-bedroom apartment I shared with my mother and grandmother.

My mother hated him telling those tales. The thought of having a two-bit bank robber for a father-in-law rubbed her the wrong way. After all, she was the only child of the late Doc Gangloff who once turned down a citizen’s committee that wanted him to run for mayor of Pittsburgh.

Yet she believed him. And so did I.

I prefer to believe that my real uncle was a psychiatrist named Sherby Krieger. Raised in Kansas City, MO, he, his three sisters and a brother, were Jewish. Their parents were Polish immigrants.

The only time I remember Sherby visiting our house on Holt Street, he was wearing Army khakis. He was a captain in the medical corps. The only photographs I remember him showing my parents were taken on the site of a Nazi concentration camp in Poland. There were mounds of decomposing bodies bulldozed into deep trenches. I still picture the frail arms, legs and skeletal heads piled upon each other.

It could have been Auschwitz where some 4 million men, women and children, mostly Jews, were murdered.   I was just a little kid. Yet I still carry those horrifying images in my mind. .

Maybe that’s why my mother and father never revealed my true ancestry.  Maybe they wanted to protect me from the harsh truth behind the anti-Semitic brutality that even today provokes such vindictive acts of ignorance and bigotry.

I do remember overhearing my parents talking about my dad taking the brunt for his immigrant family, boldly walking down the middle of the street while neighbors threw stones at him. I don’t know why he alone took the punishment for his family. But it made him tough. Like racism, anti-Semitism and any form of racism is the epitome of ignorance.

Whether he was a Jew, Italian, French, African or Irish, I don’t give a damn. I’ve survived. I harbor no prejudice. I’m convinced that no man is created equal. We only think we are.

Though I had a hooligan for a father, and a mother who skipped through life like Little Red Riding hood en route to Grandma’s house, I wouldn’t trade my imperfect childhood for any other. Nor would I trade my parents for any prim-and-proper types.

I took another slug of Turkey, swallowed hard, and touched the plaque like I would touch my father’s shoulder. I heard a voice that was heavy with emotion. It was my voice.

“What troubles me to this day, dad, is when the chest pains began and there was no way you could handle the physical demands of stunt work, the film industry just looked the other way.

“That old Hollywood slut sure got her money’s worth out of you. She didn’t give a damn that you had spent most of your life kneeling at her altar, kissing her ass for show business.

“Even Uncle Jake and his hoodlum cronies would have demonstrated more compassion.

“Stripped of your pride and dignity, you never bellyached. Only once during those dark days can I recall seeing you, sitting alone on that rickety stool in mom’s narrow kitchen, your face buried in those powerful hands, weeping uncontrollably.

“When I put my arm around your shoulder and asked what’s wrong, you shook your head and said, ‘Nothing. Nothing at all.’

“That lie was so transparent, it was almost laughable. Hollywood shattered your spirit. Because of a diseased heart, you could no longer do the work you took so much pride in.

“You certainly weren’t in demand as an actor. When you tried selling encyclopedias, you failed miserably. You couldn’t even land a job selling newspapers on Hollywood Boulevard.

“One of my greatest regrets was when you came to me asking for a twenty dollar loan. When I turned you down, you just looked at me with those dark eyes, smiled pleasantly, hopped into that Oldsmobile you had won in a poker game and drove off into the night.

“If I could just relive that moment. You were always my friend. My confidant. God, dad, I’m sorry.

“I was twenty-three. Still green behind the ears. Far more insensitive about life and death than I am now. Just got out of the Air Force; was attending college on the GI-Bill; chasing around; working at The Times as a copy boy.

“I had a twenty-dollar bill right there in my wallet. I could have given you the money. Easy.

“Instead, I lied. I said that mom warned me not to give you any money. With my hands on your shoulders, I chastised you for never paying alimony or child support when I was a kid.

“It still breaks my heart every time I think about it.

“Two weeks later, you left your will in a locker at the Hollywood YMCA leaving me with a mountain of gambling debts and outstanding loans to sharks.

“Then you stepped onto a handball court and proceeded to do just what the doctors warned you not to do: Played a fatal game at the sport you loved almost more than women. It was a classic suicide, dad.

“You left a lot of people in the lurch.

“Although I wasn’t responsible for your debts, I started paying them off until mom’s attorney told me to stop.

“Remember Manny Russio, that hairy little ape with the tattoo of a watch on his wrist? He comes by the apartment and tells us what a prince you were and how sorry he was that you popped your heart on the handball court that way.

“Then he pulls out some markers with your signature. Manny didn’t give a damn about you. He just wanted us to pay off your loans.

“I can’t tell you how many Manny Russio types we encountered. Maybe a half dozen. All you needed to hook those scumbags was the promise of a quick pay back with ridiculously high interest rates.

“When I visited that stark, bare-walled room you were living in at the Hollywood Y, I just stood there with the door shut swearing at the walls, crying my ass off.

“What’s twenty bucks between a father and a son? Everything.

“The only belongings I took from that room were a Roi-Tan cigar box that contained a chunk of shrapnel that was dug out of your leg during your World War II stint in the Merchant Marines, a tiny plastic figure of Jesus Christ, a couple of IOUs and some phony birth certificates from your hoodlum days in Philadelphia.

“I also brought home a coffee cup given to you by John Wayne for your stunt work in The Conqueror. Other than your DNA, that was the sum of my inheritance.”

I tipped the bottle for one last nip, then raised it in a toast:

“You always carried a pint of this stuff in the glove compartment of your Hudson. Called it your snake-bite kit because there were so many snakes in Hollywood.

“So drink up, dad.” I emptied the bottle onto the grass around the plaque. “You might like to know, the snakes in Glitter Gulch are still as venomous as ever.

“A few days after your funeral, I met Nanette Contrel, your casting-director girlfriend. Mom, bless her heart, gave me her phone number and asked me to go help the ‘poor dear’ because she must be hurting. Curiosity drove me up to her Franklin Avenue apartment.

“When she opened the door, I was awestruck. Nanette was a tall, gorgeous redhead. Much younger than you. I stood there in the hallway wondering how such an attractive woman could fall for a dissipated old lecher like you? And why you never taught me how to get around women like you did.

“Here I was with simmering hormones and bubbling testosterone. If she hadn’t been your fiancee, or whatever you want to call her, I’d have asked her out before you could cluck cock-a-doodle-doo.

“I remember standing beside Nanette getting a whiff of that jasmine, honeysuckle or whatever she was drenched in, looking out the window. A bright moon reflected across tall buildings that night turning Hollywood into a graveyard of tombstones.

“‘You loved him, didn’t you?’ I asked her.

“For a couple of seconds she searched my face with a seductive set of sorrowful eyes. ‘Yes,’ she sobbed. ‘Very much.’

“She draped her arms around my neck and clung to me like a frightened child might embrace a Teddy bear on a stormy night. I could feel the warmth of her tears.

“We were stuck together like two pieces of Scotch tape. With her body pressed against mine, I became intimately aware of her anatomy. It was an awkward moment.

“Right then and there, dad, I wanted to kiss your fiancee. I wanted to take her to the floor, unbutton the buttons, unzip the zippers, and let Mother Nature take over.

“Instead, I looked into those misty eyes and told her, “I’m glad my dad had your love.” I left that place smelling of Nanette Contrel. I thought about calling her but never did. Never saw her again.

“You were some cocksman, dad. You seemed to have this uncanny ability to make feminine hearts go pitapat. When you said, ‘I love you,’ they believed it because you believed it.

“It wasn’t your penis doing the talking. It was more like your penis was attached to your heart.”

I looked into my father’s eyes. “I mean this, dad: Every kid should have been so lucky to have a character like you for an old man.”

I smothered the cigar on the plaque.

“No doubt about it, you had your mad-dog days. You could have helped support us. But you were attentive. You were always there. You told me things; I told you things. We shared secrets.

“You took me everywhere — to the movies, the beach, the mountains. Taught me how to swim; how to throw a punch. Even introduced me to your friends — I guess they were hookers — you identified as Shady Ladies. You convinced me that bad guys aren’t all bad and good guys aren’t all good. I still believe that.

“Although you never told me that you loved me, from the time I was small, you’d hug me to death and bury that coarseness and fragrance in my neck, tickling me with your stubble until I’d squirm with delight.”

I set the empty bottle on the bronze plaque, got to my feet and smiled down at my father.

That’s it, pal. I’m not coming back. Not ever. I also want you to know that I’ve written a memoir that’s as close to the truth as I could remember it  . It’s about a lost kid, a child actor, growing up in your town — Hollywood.  And you are like the co-star whom mom described as a “sonuvabitch of a Godamned bastard!”   Despite your flaws, she loved you, dad.  And so do I.

     So let’s begin with the day I was born.

 

Boots LeBaron

CONVERSION WITH A DEAD MAN

Bootslebaronsworld.com

 

 

 

CHAPTER OF MY MEMOIR

For those who have been reading

my blog over the past few years:

STAY TUNED. Sunday, (January 18 ,2015)

I’m releasing “Conversation With a Dead Man”,

 the first chapter of my nearly-

completed Semi-autobiographical memoir

I’ve been working on for several years.

The working title of the book is

“IN THE MIDST OF SHOOTING STARS.”

I’d like to hear what you think.

 

Boots LeBaron

DRACULA AND FRANKENSTEIN’S MONSTER SHARED THE SAME BARBER

THE HUMAN RACE

 BARBER AL’S TEACHERS WERE HOLLYWOOD LEGENDS

     Beginning in the 1930s, Hungarian actor Bela Lugosi

and Boris Karloff, a British character actor, terrified

moviegoers throughout the world portraying Count Dracula

and Frankenstein’s Monster. About 60 years ago, they

were followed to my late friend Alfredo (Al) Hernandez’

barbershop in Hollywood by James Dean, Errol Flynn,

novelist Louis L’Amour, Steve McQueen, John Carradine and  

Peter Lorre to get their hair snipped. “In the spring of

1953 Lugosi came in smoking a green cigar,” recalled Al.

 “He just sat down at my chair and told me to leave a little

bit full at the temples. Then he leans over and spits green

tobacco juice on the floor. l was speechless. He looked

up at me with those X-ray eyes and hissed, ‘What did you

expect me to do, swallow it?’ I didn’t like him spitting

on the floor, but he was my first movie star customer and

I didn’t want to lose him.” In 1956 Lugosi died. Al was

at the Utter McKinley mortuary where the body of the

Hollywood Count, dressed in his vampire costume, was on

display in an open casket. The room was packed with

mourners when his friend Boris Karloff walked up to the

casket, leaned over the cadaver and in that melodramatic

voice announced, “Come now, Bela, get up. You know

you’re not dead!” For a moment, the mourners watched in

silence. When Count Dracula didn’t stir, the crowd broke

into hysterical laughter. “When I went into this

business,” said Al, “I couldn’t speak proper English,

even Spanish. Mr. Karloff had a great grasp of the

English language. As I cut his hair, I’d listen to the

way he pronounced words and would repeat them over and

over again. I learned a lot from him.” He was the only

customer Al addressed as mister. “He was a real

gentleman. Soft-spoken. Always wore a coat and tie and

had wavy hair.”   Working with actors, Al’s policy was:

“Never talk about show business — unless they bring up

the subject.” James Dean, he remembered, “was very

withdrawn, almost shy. He’d curl up in the chair and say

very little. Not long before he crashed and died in that

silver Porsche, I remember him talking about how great it

was speeding around in that car. He had a good head of

hair. I used to leave about three or four inches and

comb it up from the forehead into a kind of pompadour.

In ’55, he died in that car with my haircut.”

Steve McQueen, said Al, “Was pretty outgoing. What

surprised me was he stuttered. He had his favorite car, too —

a   Lotus sports car; had it painted a special shade of

green. He smoked in the barber chair. Smoking did him

in. You go through life, you learn things. Actors come

in here to get away from all that BS. To  relax. I never

asked one of them for an autograph.”

            — Boots LeBaron —  

 

(Boots’ book, “THE HUMAN RACE,” is now available on

 Kindle and  may be purchased on  Amazon  paperback.   It contains

humorous  and inspirational views of life, death, Showbiz, the  

workplace, love, courage and everything in between)

DESPITE NEGATIVISM, NEVER GIVE UP HOPE

THE HUMAN RACE

 

SANTA’S TALLEST ELF BEATS ADVERSITY!

 

Life is difficult. Even at Christmastime.

Daphne, one of Santa’s many Elves, is living

proof that when you’re teased, ignored and

cast aside, you can rise above your heartache.

All you need is courage and the will to smile

despite your imperfections. Daphne experienced

such adversity regularly at, of all places,

Santa’s workshop in the North Pole. That’s

where the itsy-bitsy Elves harassed the hard-

working Daphne because they judged her for

being too lanky. At six-foot-one, she

towered over them like a skyscraper above

an igloo. Since she loved to trip the light

fantastic, to overcome her feelings of

inadequacy, after an exhausting day making

puppets and other surprises, she’d dance

her way to bed. That’s when her fellow toy

makers would look down their large noses

at her chanting, “Twinkle Toes, Twinkle

Toes with your teeny-weeny nose-e-nose.”

One night as the aurora borealis lit up the

sky, Daphne hopped the first available sleigh

and headed for the Big Apple (also known

as New York City). Despite her height and

large pointy ears, Daphne was given a warm

welcome by a group of charming  chorus girls

who judged her for her ability to dance,

sing and smile brightly. They didn’t care

that Daphne didn’t meet their height require

ment of 5-foot-8 or so. She was as tall

and she loved to smile . Although she missed

 the tiny North Pole co-workers, Daphne a

reason to be cheerful. She became the

newest member of a world-famous troupe

of high kickers known as The Rockettes.

Peace of mind, you see, is a precious gift

that even old Kriss Kringle can’t deliver.

— Boots LeBaron —

(Boots’ current book THE HUMAN RACE is now

available on Kindle and in paperback on Amazon.

It contains human interest interviews as well as

essays and light poetry about life, courage, love, etc.)

A WINTER STORM THAT ENLIGHTENS EVERY SOUL

THE HUMAN RACE

WINTER’S DECEMBER RAIN

I awoke to

the downpour

a  winter’s rain.

Its light fingers

swept across the roof,

then spanked the streets.

Water spilled  

from the eves

rustling the leaves,

pelting the tin shed.

Thunder punctuated the

night like deafening

cymbals turning the

curtain of tumbling tears

into a whispering chorus.

The concert  was free

for those who listened

in respectful solitude.

The sounds alerted the

senses singing that

existence was far more

than a pleasant dream.

It was a wondrous symphony

preserved in our hearts.

The indisputable lesson

would never die and

forever live for

 the mind to ponder.

 

Boots LeBaron

(Boots’ book, THE HUMAN RACE, contains

inspirational and humorous human interest

stories, essays and poetry about life, death,

romance, courage, art, etc.  It’s available on

Kindle and in paperback on Amazon)

DOUGLAS FAIRBANKS SR. WAS NO BERT LeBARON

THE HUMAN RACE                                                                                December 10, 2014

TO MY LATE  SWASHBUCKLING ACTOR-STUNTMAN

DAD I SHALL FOREVER LOVE:   HAPPY BIRTHDAY!

 

This story about my dad is in my book, THE HUMAN RACE.

Since it’s true, I don’t want to offend him or my mother who

shed him twice in divorce courts.  I was so lucky to have had

them as my parents.   And God bless Mr. Fairbanks, too!

 

     More than a dozen years after Douglas Fairbanks Sr. left the Broadway stage in 1908 to begin a skyrocketing career as a silent screen actor, my father Bert LeBaron, a ruggedly handsome hoodlum in his mid-twenties from Southeast Philadelphia, got permission from the mob to go to Hollywood and become a movie star.

     While Fairbanks became one of Hollywood’s first superstars, my old man proved to be one of the worst actors ever to set foot in front of a camera. Since he was an exceptional athlete, he wound up as a Hall-of-Fame stuntman who always believed that he could be another George Raft, a thug from Hell’s Kitchen who despite his lack of talent reached star status.

     Maybe it’s not fair to compare my father with Fairbanks who rose to fame when Celluloid City was still in its infancy. But when I watched Fairbanks on cable TV starring as the masked swordsman in the silent 1920 film, “The Mark of Zorro,” I was convinced that at least in real life my papa was more of a swashbuckler and Casanova than Big Doug ever could be.

     Before time and the fast lane made a mess of him, Bert was a muscular six-foot mass of flesh and bone with chiseled features, wavy black hair and a matching well-groomed mustache.

   Although he played mostly thugs and bad guys during his 36-year actor-stuntman career, when he walked into a restaurant or any room filled with strangers, people took notice. Who is this dude? Is he an athlete? Is he an actor? Is he a hood, a gigolo, an adventurer? Is he a somebody? Is he a nobody?

     He was all of those. And certainly, by Tinsel Town standards, he was a nobody.

     After watching Fairbanks play Zorro, I had to disagree with some journalists who wrote gushy descriptions like: “the camera loved [Fairbank’s] flashing smile, and his joyous physicality electrified the screen.”     

     Baloney.

     I’m well aware that Fairbanks:

     (1) Died in 1939 a wealthy man. (2) Formed United Artists Corp. with Charlie Chaplin, actress Mary Pickford and director D.W. Griffith in 1919. (3) Handed out the first Academy Awards from his office. (4) Was the first (with Pickford who later became the second wife to divorce him) to press his hand and foot prints in the cement at Grauman’s Chinese Theatre. (5) Never appeared in a talkie.  

     What I found sitting through the silent “Zorro” movie was a Fairbanks in his mid-thirties who didn’t move with the grace of an athlete, whose physique was anything but sinewy, who had a proboscis that belonged to Ray Bolger (the scarecrow in “The Wizard of OZ”), whose portraits even in those days were touched up.

     My dad was a street fighter skilled in judo and savate, a high-platform diver, a powerful swimmer who raced the treacherous Mississippi River, a polo player who could handle a horse like a rodeo cowboy, a capable swordsman and an avid Hollywood Y.M.C.A. handball player. At the age of fifty-six, he died on the court in 1956.

     Artistically, he might not have been an actor’s actor. But as a bona fide thug, he certainly qualified as a hoodlum’s hoodlum. As a kid, I always felt very safe in his presence.

     In fight scenes, fencing, swinging from chandeliers, taking tumbles and absorbing punches, the internationally famous silent screen “Zorro,” was no match for Bert LeBaron who was at the beckon call of Mother Hollywood. No matter how dangerous the gig, all she had to do was flutter her glamorous eyelashes and Bert LeBaron would leap into action.        

     Like most stuntmen and women today, he remained silent while high-profile actors took credit for his athletic performances that never even received screen credit. And that pisses me off!

     Bert was the bruiser in a mob scene being tossed through a plate-glass window, having a whiskey bottle broken over his head or fighting under a spooked horse’s hoofs. He was the cowboy being knocked off his horse by a rifle-wielding John Wayne, the desperado being shot off a roof in a Roy Rogers western, a pirate doing a high fall off the mast of a windjammer in a Tyrone Power flick, and a villain being flipped off a wagon by Danny Kaye in The Inspector General.

     He did savor a few moments of glory: In the 1947 Burt Lancaster film, Brute Force, he performed a 30-foot leap from a coal car onto a machine-gun nest manned by prison guards. Not printing his name, Esquire magazine ran a full-page photograph of him in flight. In The Three Musketeers (1948), he dueled with and was done in by Gene Kelly (D’Artagnan) a couple of times.

     Errol Flynn skewered him at least twice in the 1949 classic, The Adventures of Don Juan, and broke his nose once at the Lakeside Country Club bar near Warner Bros. Doubling Raymond Burr in one fencing scene on a balcony, Flynn lunges and Bert goes flying head first in what appears to be a neck-breaking plunge onto a table. In another fencing scene, Don Juan knocks a huge candelabrum on top of him.

     My favorite Bert epic was in the 1940 15-chapter serial, The Mysterious Dr. Satin, in which he sends Copperhead, the hooded crime-fighter, plummeting to his “possible” death. He’s finally done in by a hokey “death-dealing” robot. In the first comic book movie version of Captain America, another popular kid series released while he was serving as an able-bodied seaman in the Merchant Marines during World Was II, he almost cool-conks the star-spangled superhero in a fight scene.

     As a womanizer, my father also left Fairbanks in the dust. Bert had collected so many ex-wives, fiancees and girlfriends that their names were lost in the mist of his mind. It was as if Cupid had stuck him in the ass with a mystical arrow that caused him to fall in love with every woman he ever conned or seduced.

     That included my mother Thelma Anna Gangloff-LeBaron, the daughter of a prominent Pittsburgh, Penn. physician. She was long-legged, shapely with an angelic face framed in brown hair. She spoke intelligently with a sweet tongue that not always communicated her deepest feelings. But heartbreak and even fury poured silently from powder-blue eyes which could conceal nothing.

     Thelma grew up at a time in American history when women were obligated to kowtow to anything that sported a mustache, smoked a cigar and came with a penis. That aptly describes my grandfather. Like many others, he would have brazenly rejected Bert, who never got past the 8th grade, as a “suitor.”

     Although she had other romances, she had an intense love affair with a wealthy young man named Guy Fuller who enlisted in the American Expeditionary Forces during World War I. While fighting in France, he was severely crippled when his outfit was exposed to mustard gas.

     When he returned from the war, he refused to see her. At the age of 30, he suffered an aneurism and died on Christmas Day.

     Throughout her life, Guy Fuller would remain her Sir Galahad. And finally, she would settle for Sir Bert, a knight of the streets with a penchant for flim-flam. For good reason, she had married and divorced him twice and raised me as a single parent.     

     I remember her teary eyed, hiking up my short pants and straightening my Peter Pan collar preparing me for a day at the Crenshaw Nursery School in Los Angeles, describing my dad as “that sonuvabitch of a goddamned bastard.” He was precisely that.

     Gallivanting around, chasing other women, disappearing for days, pawning my mother’s jewelry, coming home with lipstick marks tattooed across his drunken face, he had broken her heart a million times.

     Douglas Fairbanks Sr., whom they’re still twittering about in Twitterville, will always be nothing more to me than just another movie star.

     But Bert and Thelma — I’ll love them forever. And today, I know my mom would sincerely wish my dad a Happy Birthday because she never stopped caring for him.

                                                                         — Boots LeBaron —

ACTOR KARL MALDEN: ‘IDEAS CHANGE AS WE EXPERIENCE LIFE.’

THE HUMAN RACE                            

OSCAR WINNER DISGUISED HIMSELF TO STUDY HUMANITY

Karl Malden had just finished co-starring

as Gen. Omar Bradley in “Patton,” the 1970 film

biography about the World War II exploits

of Gen. George Patton when he  explained to me

how characters in movies and novels change as the

 story unfolds.  Since I don’t have his exact quotes, I

paraphrased.  He told me that actors, directors,

writers realize that life experiences can

alter the philosophy of any person, real

or fictional. Malden might just as well

have been talking about today’s politicians.

 (In 1951 Malden won an Oscar for

Best-Supporting-Actor for a co-starring

role opposite Marlon Brando in “Streetcar

Named Desire”) He took his art seriously.

He told me: People change by experiencing

the good and bad of living. When I asked,

how did he know? he said that emulating

a real person is a significant part of the art

of acting.    “We work hard studying the

characters we must play. We’re all flexible.”

We were alone in his home when he pointed to his

large nose. “Even with this,” he said joking,

“I’ve disguised myself to study people. In

this line of work, it’s hard to hide from

the public.” Marlon Brando, he said, (In 1955

won an Oscar for Best Actor in “On the Waterfront”)

“had a two-way mirror installed in a tobacco

shop Off-Broadway to study people. He approached

characterization quite seriously. In real life,

people make mistakes; their philosophies change.

Failure to change course can lose a war, break a heart,

or turn a honest man into a criminal.  experience

alters the life of every person.”  With that, he gave

me a shove.  Behind that large dimpled nose was a

pair of handsome blue eyes.  They were smiling. 

Boots LeBaron

(Malden is not mentioned in Boots’ book, THE HUMAN RACE.

But Robert Mitchum is.  The book contains  a collection of interviews

with unique people interspersed with light poetry and essays about

life, death, love, courage, art, etc.  It’s available on Kindle and Amazon)

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